Wrapped and rewrapped in animal skin to bind them and then whitewashed, the subjects of her photographs are cracking and peeling. The viewer sees hints of what's inside. They are decaying, they look like they are disintegrating, slowly disappearing. Sometimes they even look like weathered bones. They demand a more careful study than her previous photographic series, with their found words and phrases, and the longer you look, the more deeply moving they become.